Is Behringer loss-leading? They have invested almost nothing in research and development for their little synths as they use long expired designs that require technology developed decades ago (dirt cheap).
As a part time musician, my take is the opposite of yours. Behringer made instruments that were once owned by a small, non-inclusive wealthy elite (relatively speaking) available to everyone in rich and poor countries. The sheer number of decent quality clones - and I say "clone" as a good thing - they produced will be available in the secondary market for decades to come.
They absolutely have invested in R&D. The clones are not trivial component-for-component copies. A lot of old parts aren't available any more and the circuits have to be rebuilt around what's available today. They've added MIDI and USB features. They built their own chip division to resurrect the chips of the 80s. They built products like the DeepMind which is Juno-ish but not really a clone.
What they did do was nuke the Veblen Good aspect of synth collecting. High-end vintage collectables are far more likely to be bought by doctors, lawyers, and other dabblers than by full-time creatives.
There's still some of that happening, and always will be. But it's a much wider market now and more people can get the technology - even if it's just for dabbling - than before.
That is a blatant distortion of the truth.
They have invested Nothing in New Designs, nothing For The Future, and I find your defense of Behringer utterly disingenuous.
Legacy: what legacy of designs, ORIGINAL DESIGNS, has Behringer left us?
R&D was not intended to signify honing a rip-off design, but indicates an original design. Name me ONE original Behringer product.
> R&D was not intended to signify honing a rip-off design, but indicates an original design.
The whole tone of your comment is rude, but this in particular is a straw man argument. R&D is just the department (and budget) of a business concerned with product improvement. That absolutely can involve improving on other people's products. And improvements can just be that it is cheaper to produce, or easier to produce at scale. The idea that R&D is a room-full of paid inventors is a myth.
Neutron, Proton, DeepMind, PolyD, Wing, X32, and the BCR series
The official line now is they're moving on from clones into original designs.
The real problem with Behringer is the low cost and not-a-trophy accessibility. No one complains about UDO's JP6 knock off or Groove's 3RD Wave, even though they're very close clones with a few added features.
Perhaps because they're reassuringly expensive trophy products, while Behringer's aren't.
This is a misuse of the word “disingenuous”. “Disingenuous” is when someone pretends to be stupid, and there’s no valid reason to use that word here. “Disingenuous” is probably the most cliché and tired way to add unnecessary vitriol to a comment on HN.
And if Behringer can do it to the competition -- using their expired patents and making a still-competitive product -- then someone else can do it to Behringer.*
This is the preferred outcome of the patent system! Someone got to make a design for 25 years with the protection of the system, and now everyone can. And if you don't innovate, you don't get the protection.
* Edit: including the very firms Behringer is cloning, after all.
Even Behringer gear gets 'cloned' by the likes of Mooer and Donner these days. It is the natural way / cost of doing business.
(rumor has it the Donner B1 is based on designs of B's TD-3)
I don't get these sanctimonius types that go like 'oh noes, its the music / gear industry, thats different, ethics, values, full of cool dudes, etc. etc. blaaargh'.
Especially mentioning ETHICS in the friggin' MUSIC INDUSTRY is just so hahaha.
Fundamentally I think the music industry has long-standing patterns to deal with this, anyway. It's hardly new.
Almost every contemporary musical instrument company in the world makes a Stratocaster (or sells one made by Aiersi or the other contemporary equivalents of Young Chang and the like). But people still buy Fender kit, including American Stratocasters and custom-shop US Stratocasters.
Some of that old tech is starting to be very NOT cheap, as the chips haven't been manufactured in 30 years and stockpiles are growing ever slimmer. Germanium stuff for fuzz boxes for instance are now sometimes going for $50+ for a single transistor that would have been 25 cents a few decades ago.
As a part time musician, my take is the opposite of yours. Behringer made instruments that were once owned by a small, non-inclusive wealthy elite (relatively speaking) available to everyone in rich and poor countries. The sheer number of decent quality clones - and I say "clone" as a good thing - they produced will be available in the secondary market for decades to come.